Sunday, March 4, 2007, 4:00 pm
Chapelle historique du Bon-Pasteur
100, rue Sherbrooke Est [métro Sherbrooke + autobus 24 Ouest / métro Saint-Laurent + autobus 55 Nord], Montréal, Québec
Info: 514-872-5338
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Coproduction MNM / La Chapelle Historique du Bon Pasteur
With its particularly original programming of several works for “conventional” solo piano, this event will also feature some exceptional works, ranging from pieces for piano tuned in 16th notes, prepared piano, disklavier and midi keyboard, as well as piano four hands… and even six hands.
Sara Laimon and Brigitte Poulin join together with German composer and pianist Moritz Eggert for a concert highlighting Germany. In addition to several works from Eggert’s Hämmerklavier, which rocketed him to international renown,audiences will also hear parts of Stahnke’s Partotas and works by home grown composers.
Moritz Eggert, Hämmerklavier XVI
prepared piano
Moritz Eggert, piano
Manfred Stahnke, Partch Harp (1987-89)
harp and keyboard
Sara Laimon, piano; Éveline Grégoire-Rousseau, harp
Michel Gonneville, Naturel tempéré (2003)
piano tuned in 16th tones
Sara Laimon, piano
Vincent-Olivier Gagnon, Lithographies (2005)
four-hand piano tuned in 16th tones
Sara Laimon and Brigitte Poulin, piano
Denys Bouliane, Contredanse du silène Badouny (1998)
piano
Brigitte Poulin, piano
Moritz Eggert, Hämmerklavier XIX (2006) (premiere)
piano
Moritz Eggert, piano
Paul Frehner, Finnegans Quarks Revival (2005-07)
piano
Brigitte Poulin, piano
The SMCQ has been moving in step with the lively rhythms of new music for over forty-five years. With its regular concert season, its Série hommage (Homage Series), an international festival, and a young listener’s programme, the society has served both as a platform for today’s composers and as a window on creative works for everyone.
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