Benjamin Thigpen, nomad, born in the United States, with degrees in English Literature, Comparative Literature and “Esthetics, Technologies and Artistic Creations,” immigrated to Paris at the age of 31. Since then, he has composed at GRM (Paris), at Musiques et Recherches (Belgium), at SCRIME (Bordeaux), at EMS (Stockholm), at the Visby International Centre for Composers (Sweden), at STEIM (Amsterdam), at Djerassi (California), at l’Espace Totem (Montréal), in his bedroom and in the train.
After 6 years at Ircam (Paris) and 7 at the Conservatory of Cuneo (Italy), he currently teaches computer music and (psycho) acoustics at Arts2 (Mons, Belgium), while also working as a free-lance programmer and musician. He makes music for loudspeakers: electroacoustic works (composed on electromagnitic support); pieces for live computer performance; interactive music for computer and acoustic instrument (s); computer improvisation. His music is concerned with issues of energy, density, complexity, movement, simultaneity and violence, and he often works extensively with space as a primary compositional parameter. He thinks that music does not exist in time but rather creates it, and considers that music is not the art of sound but the art of the transcendence of sound.