Atelier de musique contemporaine de l’UdeM

  • December 12, 2011
    7:30 pm
Salle Claude-Champagne — Université de Montréal
220, avenue Vincent-d’Indy

Atelier de musique contemporaine de l’Université de Montréal (ATMC) and Lorraine Vaillancourt perform works by Anderson, Cage, Corigliano, Harvey, Ives, Morel, Scelsi, Sokolović, Théberge.

The Université de Montréal’s Atelier de musique contemporaine pays tribute to one of their own: Lorraine Vaillancourt and the Atelier’s student musicians celebrate Sokolović’s music, which has sounded throughout the university’s hallways since 1990. In a programme mainly devoted to Ana Sokolović’s chamber works, students will enthusiastically submerse listeners in the composer’s musical universe.

Participants

Programme

  • Charles Ives, Three Quarter-Tone Pieces (1923-24)
    piano
    • 1. Largo
    • 2. Allegro
    • 3. Chorale
  • Ana Sokolović, Prelude and Fugue for GG (2007)
    piano
    Commission: CBC
    • 1. Prelude
    • 2. Fugue
  • John Cage, The Wonderful Widow of Eighteen Springs (1942)
    voice, and closed piano
  • Paul Théberge, A Void Not Filled With Words (1984)
    saxophones, and percussion
  • Jonathan Harvey, Run Before Lightning (2004)
    flute, and piano
  • John Corigliano, Chiaroscuro (1997)
    two pianos, tuned one 4th-tone apart
  • Giacinto Scelsi, Quattro pezzi (1956)
    horn
  • Julian Anderson, Piano Etudes Nos. 1-3 (1995-98)
    piano
  • Ana Sokolović, Pesma (1996/2005)
    mezzo-soprano, flute, two clarinets, piano, violin, viola, and cello
  • François Morel, Enjeux
    premiere
    piano
  • soprano, flute, cello, and piano
    • 1. Sur une étoile
    • 2. Stimmen
    • 3. Dezember
    • 4. Wishing well
    • 5. Last song

Production Faculté de musique de l’Université de Montréal

Resting on conductor Lorraine Vaillancourt’s musical rigour and sensitivity since 1975, the Atelier de musique contemporaine leads student performers to discover and master new music repertoires.