Ingólfsson, Atli, Play and Destroy (2005), ensemble [performed once]
Irino, Yoshiro, Strömung (1974), flute (and piccolo), harp and percussion [performed once]
Ishii, Maki, Sen-Ten (1971), percussion and two tapes [performed once]
——, South-Fire-Summer [performed once]
Ives, Charles, The Circus Band (1894), 3m00s [performed once]
——, Scherzo (Over the Pavements) (1906-13), winds and percussion [performed once]
——, Sonate no 1 (1909), 36m00s [performed once]
——, Sonate no 2 «Concord, Massachussets, 1840-1860» (1911-15), 47m00s [performed once]
——, Three-Page Sonata (1905), 7m00s [performed once]
——, Three Places in New England (1914), two flutes (and piccolos), two oboes (and English horn), two clarinets, two bassoons (and double bassoon), four horns, two trumpets, three trombones, tuba, harp, synthetizer, celesta, three percussions, timbal, solo violin, fourteen violins I, thirteen violins II, nine violas, ten cellos and six double bass [performed once]
——, Three Quarter-Tone Pieces (1923-24), 11m00s, piano [performed once]
——, Trio pour piano, violon et violoncelle (1904), piano, violin and cello [performed once]
——, The Unanswered Question (1908), two flutes, oboe, clarinet, trumpet, two violins, viola and cello [performed twice]
——, Variations on America (1891), organ [performed once]
The SMCQ has been moving in step with the lively rhythms of new music for over forty-five years. With its regular concert season, its Série hommage (Homage Series), an international festival, and a young listener’s programme, the society has served both as a platform for today’s composers and as a window on creative works for everyone.

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