Commission: ECM+, with support from the CCA
Premiere: May 14, 2002, Bozzini Quartet • Concert, Salle Pierre-Mercure — Centre Pierre-Péladeau, Montréal (Québec)
“A postmodern response to modernism is one that inherently acknowledges the past. Given that the past cannot be destroyed, for its annihilation would only lead to silence, it must be revisited—with irony, in a way that is devoid of innocence.” — Umberto Eco
The function of memory lies at the heart of my artistic concerns. In my work, I try to establish a fertile relationship between the presence of the composition and the artistic past. This playful relationship with the history of music takes shape in several creative ways, for example, in a game of recollection and failure to recall as part of a performance-manipulation of memory. Or in a reconstruction of the past that is presented by means of the composition, in which we show how memory creates, destroys, and remakes its own past, through a constant revaluation of the articles of history, and by continually projecting these on our vision of the future.
This artistic standpoint in no way derives from nostalgia—there is no question here of returning to a musical “paradise lost”. Rather, it derives from a willingness to obliterate the boundaries between the past, present and future. — JL
- Score available at CMC, Région du Québec.
- Recording: available at SMCQ’s office
Monday, March 10, 2003
Tuesday, February 28, 2017